Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Domenichino
Madonna and Child with St Petronius and St John the Baptist dg

ID: 06422

Domenichino Madonna and Child with St Petronius and St John the Baptist dg
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Domenichino Madonna and Child with St Petronius and St John the Baptist dg


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Domenichino

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.  Related Paintings of Domenichino :. | Landscape with Hercules and Achelous (mk05) | The Maiden and the Unicorn (mk08) | A Virgin with a Unicorn | Portrait of Cardinal Agucchi | Madonna and Child with St Petronius and St John the Baptist dg |
Related Artists:
Francis Davis Millet
(November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.
Frans Wilhelm Odelmark
painted Canale Grande - Venice in 1849-1937
George Price Boyce,RWS
1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona






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